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Grateful Dead Live at Warfield Theater on 1980-10-07




Acoustic Set:
d1t01 Iko-Iko
d1t02 Dark Hollow
d1t03 Rosalie McFall
d1t04 Monkey & The Engineer
d1t05 To Lay Me Down
d1t06 Heaven Help The Fool
d1t07 Deep Elem Blues
d1t08 El Paso >
d1t09 Ripple

1st Electric Set:
d2t01 Cold Rain & Snow
d2t02 Minglewood Blues
d2t03 Loser
d2t04 Me & My Uncle >
d2t05 Big River
d2t06 Althea
d2t07 Little Red Rooster
d2t08 Don’t Ease Me In >
d2t09 Let It Grow >
d2t10 Deal

2nd Electric Set:
d2t11 Shakedown Street
d3t01 Estimated Prophet >
d3t02 He’s Gone >
d3t03 Drums >
d3t04 Space >
d3t05 The Wheel >
d3t06 Stella Blue >
d3t07 I Need A Miracle >
d3t08 Good Lovin’

Encore:
d3t09 Alabama Getaway


Collection GratefulDead
Band/Artist Grateful Dead
Venue Warfield Theater
Location San Francisco, CA

Source Nakamichi 700’s > Sony TC D-5M > MAC > Teak Reel to Reel
Lineage Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD > EAC > WaveLab 5.0 > TLH > FLAC level 8
Taped by Ron Ellner
Transferred by Peter Mandell and Mike Marino and Bill Koucky

Notes

Notes: Minor edits were made in WaveLab to remove several drop-outs of 5 miliseconds 10 miliseconds into the tracks

Reviews

Reviewer: TheProdigalSon - - October 8, 2014
Subject: Pre-Radio City show
Great show - Rare
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on 12/31/2007
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
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Source: Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes;
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
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Source: Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software